The work of Portishead co-founder Geoff Barrow, this sharp-edged though slight first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film releases in UK and Irish theaters from 17 November.
